Visiting Keohane Professor to Explore A Severed Relationship to Land
Ashon Crawley鈥檚 art focuses on reconnecting people to place
A Duke alumnus, Crawley holds a Ph.D. in English. His research and teaching experiences range from Black studies, performance theory, sound studies, philosophy and theology to Black feminist and queer theories.
His work has been featured on the National Mall in Washington, DC, at Second Street Gallery and Welcome Gallery in Charlottesville, and at Bridge Projects and the California African American Museum in Los Angeles.
Crawley is the author of 鈥,鈥 (Fordham University Press) an investigation of aesthetics and performance as modes of collective, social imagination, which received the 2019 Judy Tsou Critical Race Studies Award from the American Musicological Society.
His second book, ,鈥 (老牛影视 Press) is an exploration of the interrelation of Blackness, mysticism, theology and love. It won the 2020 Believer Book Award for Nonfiction and the 2021 Lammy Award in Nonfiction.
Crawley has received arts fellowships from Yaddo, MacDowell, New City Arts, and Learning It Together (LIT). Currently, he is working on a book about the impact of the AIDS crisis on Black social life.
Down South Dirt
Crawley will speak at , at the Nasher Museum of Art. In this opening public event, he will speak on the theme of dirt and soil to the making of Black life, and how degrading the earth is part of the attempt to unmake Black possibility. Thinking through 鈥淐ancer Alley鈥 in Louisiana and soil erosion in Mississippi, what practices are available to help us conceive life otherwise?
鈥淚n the Americas, the ports and parts were primarily southern, down south, before such a concept even existed. The port is the meeting place of dirt, water and air through architectural design. 鈥 Is there an approach to making things that not only lets us notice but lets us work against the continued antiblack racist imposition that severs us from dirt, water and air?鈥 Crawley said.
In his interdisciplinary practice, Ashon Crawley will present work鈥攆rom visual and sonic art to fiction and prose鈥攁rguing that a relation to land, water and air must be recovered for a thriving and joyful life.
鈥淭his does not mean that Black people have not survived, nor thrived, that we have not enjoyed, nor had joyful lives. This does mean, however, that the thriving and enjoyment that has happened has occurred within the crucible and context of the epistemology of severance, forced separation, imposed and maintained by violent force,鈥 Crawley said.
About the Keohane Professorship
The brings prominent scholars to UNC Chapel Hill and Duke for a one-year period, during which they deliver a lecture series and engage students and faculty around areas of shared interest to both institutions.
Created in 2004 by James Moeser, who served as UNC鈥檚 chancellor at the time, the professorship recognizes Keohane鈥檚 contributions during her term as Duke鈥檚 president and seeks to strengthen the collaboration she and Moeser built between the two institutions.
The professorship was funded by the late Josie and Julian Robertson (parents of Spencer Robertson, Duke 鈥98, and Alex Robertson, UNC 鈥01) and the William R. Kenan, Jr. Charitable Trust.
Last year鈥檚 recipient was Brett Ashley Kaplan, director of the Initiative in Holocaust, Genocide, and Memory Studies at the University of Illinois Urbana-Champaign.