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“Nothing will change in how festival leadership determines a vision for the event, nor how documentary experts select films,” Balleisen said. “But the festival will mesh more substantially with operations at Duke to leverage logistical expertise and capacity.”

Duke’s senior leadership is currently reviewing CDS’s organizational framework, informed by the work of a faculty review committee. During that process, Balleisen is fulfilling the responsibilities of the center director.

“Duke remains committed not only to Full Frame, but to documentary studies, a robust set of  undergraduate classes in this sphere, the certificate program in documentary arts and CDS,” Balleisen said.

Full Frame veterans Emily Foster and Sadie Tillery, who have been co-directing the festival since 2021, will continue in that joint leadership role.  Tillery, who stepped down from the role earlier this year, agreed to return to it upon learning of Duke’s plan to revamp the festival’s infrastructure. She will lead programming and operations with DVPM, while Foster, who came to Full Frame in 2019 as marketing director, will lead festival production, development and other planning with CDS.

“By the time we get to Full Frame in 2024, it will have been five years since we last held an in-person festival,” Foster said. “Returning to the physical landscape is a big milestone for Durham and the documentary community. We’re committed to maintaining the core values that make Full Frame so special, while also building upon them to create a vision for Full Frame well into the future.”

The new festival partnership with DVPM will streamline operations and create a more efficient process, Tillery said. The goal is to build on the festival’s long history.

“Full Frame is regarded as a filmmakers’ festival. I am committed to cultivating the sense of community and intimacy that Full Frame is known for as we return to in-person programming, while celebrating artists and exceptional documentary storytelling,” Tillery said.