Blue Devil of the Week: Opening Our Eyes to the Full Picture

As art historian and teacher, Richard J. Powell explores the factors that shape the lives of creators and audiences

Richard Powell
Blue Devil of the Week Richard J. Powell has spent decades deepening the understanding of the art of the African diaspora. Photo by Stephen Schramm.

Name: Richard J. Powell

Position: John Spencer Bassett Distinguished Professor of Art and Art History

Years at Duke: 32

What he does at Duke: Whether he鈥檚 teaching the history of American art to majors in Duke鈥檚 , or students pursuing other fields of study, has the same goal.

鈥淚 encourage students to see better, and I don鈥檛 mean optical activity, I mean in a cerebral way,鈥 said Powell.

As scholar and art historian, he鈥檚 become a respected voice on American art. Powell explores the forces that shaped the lives of artists and the society that experienced their works. First published in 1997 and now in its third edition, his book,  illuminates the art of the African diaspora. Powell was also co-author of 2020鈥檚  which explored the making and meaning of the portraits of former president and first lady Barack and Michelle Obama.

鈥淚鈥檝e always approached art and art history not just as a narrow set of facts about artists, their lives and an analysis of their works, but also their historical, cultural and social contexts,鈥 Powell said.

Richard Powell sitting outside.
A member of the Duke faculty since 1990, Richard J. Powell has found a home in Durham. Photo by Stephen Schramm.

What he values about working at Duke: From the colleagues who have helped him refine ideas or opened his mind to new ways of seeing things, to the staff at , which he credits for connecting him with a vast array of materials he鈥檚 needed through the years, Powell is quick to point out that his work is shaped by those around him.

Since he got settled in his faculty role in the spring of 1990, Powell, who has come to love the city of Durham, has viewed Duke as his academic home.

鈥淚 find Duke to be a place where I can do what I want to do and be supported in terms of the resources and intellectual infrastructure that surrounds me,鈥 Powell said. 鈥淭he work I鈥檝e done very much reflects the environment that I鈥檓 working in.鈥

Richard Powell illustrations.
Richard J. Powell鈥檚 illustrations 1890s, left, and 1930s, right, were published in the 1979 book Sturdy Black Bridges: Visions of Black Women in Literature.

Something people may not know about him: Before he became known as an art historian, Powell was an artist himself. From the time he was growing up in Chicago and into the 1980s, Powell, 69, became accomplished at drawing and print making. His work appeared in books and journals in the 1970s and early 1980s.

 鈥淚t wasn鈥檛 a big full-blown career by any stretch of the imagination,鈥 Powell said. 鈥淏ut I was having fun and some people liked what I did. I will occasionally get emails from people who have purchased some prints at auction, or get one passed down from a family member, and they鈥檒l want verification that it鈥檚 me. As I like to say, with printmaking, if you put images out there in the world, they can come back to you in the most unexpected ways.鈥

Is there a colleague at Duke who has an intriguing job or goes above and beyond to make a difference? Nominate that person for Blue Devil of the Week.